Character Profile: Countess Toni-Medici Fecchiera, from the “Eta Carinae: Reich of the Black Sun” universe

 

Countess Toni de Medici-Fecchiera, Mistress of Tuscany and Supreme Praetor of the Mithras Order Magistrate:

Calendar Age: born in 1387, she underwent Mithras Initiation at age 22, her real age is closer to 9,000, but still appears to be 22

 

She is 7 feet, 5 inches tall, but looks a good bit taller than she actually is because of her outfit. Her face is chalk-white because of 4 layers of makeup, as well as thick black eyeshadow that forms the Eye of Ra symbol around her eyes, one is green, the other is blue; she has her pupils dilated specifically to look like mako shark eyes, like blue and green iridescent lumps of coal. The blank, empty expression on her face never changes, no matter what her mood is when she was in combat form, the Mithras Energy coursing through her veins. Her hair is brown, but styled like a Qing Dynasty empress, with diamond, platinum and gold-encrusted hairpieces that kept her hair in 6 pigtails, three on each side of her head, each covered in diamond, platinum and gold-encrusted armor that also kept the braid from becoming frizzy; the adornments made her hair look like insect legs, especially when she walked, causing the 6 pigtails to move like insect legs. She also had a crown made out of solid crystal, in shape of a three-headed crane with six wings on her head, adding 2 feet to her height, and behind that, a huge, peacock-fan headdress that changed color based on her mood, it was the only way to tell her emotions, as she had become so powerful with the ancient magic of Mithras that she was able to disable her physical reactions to emotion if she so desired. The peacock feather eyes changed expression and color in place of her real ones; she had a huge feather ruff around her neck made of Count Raggi’s Bird of Paradise plumes as a scarf, with pennants and silky cloth scarves that resembled the Standard Winged and Twelve-Wired Birds of Paradise plumage at the same time, and a train-like veil and cape made of Chinese silk dyed with human blood. Her dress was woven from spider silk infused with silkworm fibers, and woven on a microscopic level so that every hem of the dress was in the shape of an organism, every known organism on Earth. Covering the dress were hundreds of iridescent precious stones, each one reflecting light in such a way that viewed from a certain angle, it made her look almost invisible, just a shimmering outline of her figure was barely seen. The dress itself was red and black, with huge, yellow eyespots in the black parts of the dress and black eyespots in the red parts of the dress that seemed to blink when sunlight hit it at certain angles or shine with an ethereal, calming glow when the moonlight hit it at night. The whole dress shined an eerie, fluorescent purple in ultraviolet light, and had large roaring dragon designs embroidered on it, each with a microscopic picture of an organism consisting of each individual hem. The dress was enormous and supported by the bones of her Mithras ritual sacrifice victims, much like whalebones were used to make a corset. The part of the dress that covered her torso and chest was the most heavily decorated, with huge dragonfly wings made of woven yarn and glittered with sea salt dust and sand coming out of her back, these were folded under her cape and veil and could be spread at will, even though Toni can’t fly. Her necklace was more like an Egyptian queen’s brooch, made of solid gold with a huge sapphire in the center, just visible under the bird-of-paradise feather scarves. Her gloves, lacy white dress gloves that were veiled by delicate, red silken sleeves from her dress, each had a 56-karat gemstone covering each one of her fingernails; sharpened into a dagger-like claw, these gemstone gauntlet gloves were used to carve enemies like a tiger slashing its prey, and the rest of the glove surface were covered in razor-sharp, solid diamond blades that could slice through almost any surface. She also wore a tiara of autumn leaves on her head, on the crown of the three-headed crane helmet, whose three heads are arranged in such a way that they defy the Euclidean geometric form, therefore making her dress impossible to create without immense, physics-bending telekinetic attacks. Her shoes were huge black-velvet Gothic Lolita platform shoes, with razor-sharp dagger-high heels, but these were not visible under her huge dress. She had various dresses, and each one was an equally-elaborate Elegant Gothic Aristocracy dress, so elaborate that Toni needed to use her physics-bending powers to make them appear just right. She shows no empathy at all to her opponents, and takes pleasure in making her victims suffer as much as possible before they die…painfully.

 

The Italian Peninsula was considered to be cradle of Western civilization, and therefore, has a very large population of Mithras practitioners, often called “vampires” by the uninitiated, they are far more sophisticated and cultured than most typical people, and are far from mindless monsters. To call a Mithras Sage a “vampire” is taken as the same thing as calling a black man a “nigger.” One of the most attractive and colorful members of the global Mithras Order, a secret cult of sorcerers that worship the ancient sun-god Mithras, and gain their magic and immortality through consuming, bathing in and channeling energies found in human blood to harness the power of the universe itself, is an Italian socialite named Toni Medici-Fecchiera. To the untrained eye, she looks like a typical, modern, high-class beauty on the old streets of Tuscany; she has long, silky black hair, stunning green eyes, pale blue eyes and a long, skin-tight black dress with a diamond necklace and two curious-looking earrings that resemble solar helixes, she often has elegantly-styled black eye makeup and a gentle, soft, warm, sweet gaze, and beautiful, crimson-red lipstick. Her voice is sweet and relaxing to hear, however, she is best known for her unusually large breasts, which she claims are real, but most people doubt it. She has a 6’3” figure that could not look more perfect. Outwardly, she seemed to have everything to offer, money, beauty, intelligence and creativity, as well as independence and determination and was an inspiration to everyone who met her. This, however, was just what the Mithras sages referred to as the “public shape,” to conceal their true identity. Nobody, save other Mithras sages, will know that “Toni” is really Countess Toni de Medici-Fecchiera, the Arch-Sage of Tuscany and the 5th Line of the Phantasmagoria-Haidnur Hird, one of the most revered and feared Mithras Sage hirds, or clans, in the world. Her ritual gown is so elaborate and complicated that it seems to defy the laws of Euclidean geometry, only possible because of Toni’s immense, physics-bending telekinesis that is constantly radiating electromagnetic pulse signals from her brain, whose activity reaches close to 320,000 units; she cannot be around anything electronic without it frying completely. Her psychic attacks are so powerful that they can level a city with a minimum of effort. Toni is perhaps the most terrifying thing on the face of the Earth, and a good reason why you should never go into a tavern on the wrong side of a town you’ve never been to, especially if a stunning young Italian woman approaches you and tries to flirt. People say if you want to find her, look for the nearest tavern or lying topless on a white-sand beach in the Mediterranean, with the crowd of young men bringing her everything she wants like a bunch of brainwashed toadies. Rather than going over the top, she takes a carefree, laid-back, lap-of-luxury approach to everything she does, but at the same time, coldly, calmly, coolly and emotionlessly, methodically and diabolically plots her enemies’ demise. She had a particular penchant for taking women’s unborn babies, she’ll often disguise herself as a lost young woman whose vehicle breaks down, and comes into the house of a pregnant woman to “use the phone,” or some other form of communication, to call authorities. Needless to say, she does not need to use the phone, and she keeps calmly engineering situations where she can stay at the house for longer…until she gets the mother and her unborn baby. She wants that baby, she really, really does. She does not let her Mithras sorcery powers, irrational thought or desire get in the way of what needs to be done to get the baby. She wants it, she feels it belongs to her, so she takes it, and she truly believes that the baby is hers, like a sick motherly instinct taken to the extreme, for her own childhood was so wracked with horror and torment before she became an immortal sorceress with horrific body and mental distortion powers, known as Phantasmagoria, that she only wants to give the baby a loving, motherly caring home…unfortunately, her own duties to Mithraism and the need to kill and consume infant blood prevents her from ever being a safe mother, so therefore her insanity perpetuates as a result of her own power and desire. But still, she never lets this tortured psyche get in the way of her goals in government or in finding her victims…until she gets her victim right where she wants it, that is.

Countess Medici, is in one word, insane. Toni is not content with rival Germanic Wewelsburg Hird Grand Master Eisner von Richtofen’s vision of a German-Mithras Europe and has repeatedly stated that she wanted a complete, pan-European empire on the scale of Rome, but Richtofen could not see beyond the Germanic/Magyar lands of Austria, Germany and Hungary-Slovakia. Medici, despite her elegance and beauty; she was 6 feet, 3 inches tall, wore stunning outfits and had long, silky black hair, pale, alabaster skin and haunting green eyes, was one of the most feared individuals in Europe. Most other Mithras sages who knew her personally were in conclusion that she was gizquya, or very “gifted,” to say the least, she knew things that no living person could possibly know, such as exactly how many cabbages were stolen from gardens in Berlin in 1754 A.D, and doctors who measured her brainwave scans found that her REM sleep activity was near 190,000 units, while her active function was close to 320,000 units. Leonardo Da Vinci’s activity was only at 765 units, and a level of 400 units was considered “genius.” Even in the modern era, doctors were still clueless as to how Toni wasn’t killed by her own brain function levels or even managed to communicate and think in ways that typical human beings could even remotely comprehend. Unfortunately for those who had to deal with her, she appeared to have a severe form of psychosis that caused her to fit every level of insanity imaginable, artistic insanity, because her 3-story, 25,000-square foot penthouse apartment in Rome, was decorated with her own original bizarre, abstract, surrealist, often volkisch art that looked like what would result from Salvador Dali or Freda Kahlo taking a hit of acid and trying to mix a Picasso painting and one of their works together while high. They had a common theme, either depicting a form of macabre liberation, ancient European paganism that overlapped with Nazi symbolism in many cases a bittersweet message about the brevity and fleetingness of life or some sort of tormented scene, such as the picture of two murdered lovers lying on the streets of a city with a crowd of faceless people walking past, each with their shadows standing above their bloodied corpses, with the woman’s shadow in a contorted yet seemingly liberated, but disturbingly unnatural pose, and the young man’s shadow cruelly rejecting the tormented shadow’s pleas for acceptance; the blood on their bodies was arranged into words written in Latin: “Where is my love? Where is my hope? Where is my reason to live?!” Another painting showed a little girl clenching her face in her hands while riding a lonely swing set in the middle of an abandoned city, with a shadowy stranger standing behind her, another showed a young man walking along railroad tracks in autumn, surrounded by the reds, browns, oranges and yellows of the countless autumn leaves falling around him, he walks alone, not knowing where he is headed, symbolizing that the only certainties in life are death, loneliness and uncertainty, therefore, life is completely meaningless, you’re going to die anyway, so what does it matter? Like the autumn leaves that blanket the tracks, people are shining bright one day, and decrepit and old the next…Life is a beautiful lie, death is an ugly truth. One other painting shows a screaming young woman with scars on her bare legs reading a book, but the words on the book fall off the pages like a shower of black ashes, and these ashes transform into lice and ticks, which crawl up her legs in their thousands. Also, pictures of a woman carving an image of birds flying out of a cage onto her arms with a knife, as well as some pictures that had no meaning at all, such as headless chicken being chased by a tailless rat, as well as some original Picasso, Kahlo and Dali paintings, plus several volkicsh paintings by the artists Hipper and Jung, late 19th century German and Austrian painters who focused on art that reflected ancient, pre-Christian European culture as an expression of nationalism and pride, as well as a collection of weapons, specifically ones that were used to torture and kill children throughout history, old dictatorial flags, statues of sinister, robed figures and a gigantic Mithras rug and Solar Helix coat of arms on the wall, plus the lighting in the house that made the place appear as if it were in perpetual dusk, would only appeal to someone who is completely insane. She was also intellectually insane, given that her IQ and brain function levels are so high, that a lot of her psychotic actions may seem abrupt and without any rhyme or reason, much like someone with schizophrenia, but some doctors who studied her case suggested that due to brainwave scans and flash-cloning samples, the very height of her IQ scores make her appear to the layman as insane, simply because the rest of the world is too simple, judgmental and narrow-minded to understand just how fast and how advanced her brain is. She is only “crazy” because of society’s judgmental stupidity and the filthy, pop-culture Fascist dregs such as the rich girls living in places like Miami and New York City trying to set an unrealistic standard for “prosperity” and “beauty.” She uses her intellect and her own fortune to directly oppose that culture through the power of science and intellectual pursuits, as well as incorporating her obsession with macabre, distorted art into her scientific pursuits as well; she’d pay people in Europe to kidnap young, rich women travelling abroad and kill them, and bring their corpses back to her penthouse apartment for experimentation. As a Mithras Sage, Toni had a religious fascination with blood, not just for the DNA and sampling properties of it, but also in a much more metaphysical sense and as the source of her power. One of her greatest projects includes being able to cheat death by using computers; this is possible, but illegal under most circumstances, Toni creates backups of her mind on computer disks, so that even if she can no longer maintain the body she’ s lived in for 800 years, she will simply be “reborn” in an AI hologram body, with her mind and personality as a digitized set of data, but also uses bizarre ways of justifying her acts on an intellectual level, such as using mathematical puzzles to fool police forces, and using math to lead detectives to conclusions that will inevitably get them killed, just because Toni thinks that it’s a joke. The third domain of insanity, humorous insanity, is represented here. Many of Toni’s attacks on people in Europe are so twisted and sinister because she sees it as a joke, a gigantic game where she and the police are opponents trying to outplay each other, not enemies, and this type of crime is nothing but a game, a trick, and a joke in “good fun;” the drive behind this mentality is the horrific torment Toni suffered as a little girl in the 1380s, with her abusive oligarch father in Italy selling her into prostitution as a teenager to cover a bad deal as collateral with another noble family, not to mention beating her and locking her in a dark, dank closet full of weapons at age 6 for 3 days. She later escaped from slavery and brutally slaughtered her abusive masters, as well as her horrendous father and mother, who lived in a dungeon for the mentally ill. Since her escape, she has committed crimes ranging from killing people and turning their bodies into marionettes, using them as a puppet show, torturing and cannibalizing little girls and young women, turning their blood into wine and using her huge master bathroom on the third floor of her apartment as a makeshift torture chamber, holding fake T.V. show competitions just to kill the contestants one by one, the “prize,” for the winner is that they are allowed to go free, only to have Toni kill them anyway because she was “just kidding, as usual.” The fourth domain of insanity, verbal insanity, is also very much apparent here, every single word that comes out of her mouth seems to have some kind of dual meaning to it, in one particular speech to the citizens of Times Square in August of 2013 A.D:

“So simple, yet so complicated, so everlasting, yet so fragile, so easily broken, but so easily built, and so easy to speak, yet so easy to misrepresent…anyone who has lived on this planet, young or old, whether they know it or not, is aware, however subconsciously, of the four properties of which I speak. The first of which, life, in the Earthly definition, consists of amino acids, deoxyribonucleic acid and counts the cell as its basic unit of organization. Therefore, in the purest, biological sense, life is a simple affair, as soon as an organism is born, it is alone, it is small, it is feeble, unless it can adapt, it will die out. Darwin’s theorem of evolution, the first word “theorem” intentionally changed to state that Darwinian logic is proven, it is only because the individuals who are told by the Gestalt that their outdated traditional Christian dogmas are the only, absolute truth. Life is simple, yes, but it is not that simple. What if I were to tell you people that everything you know is wrong? Everything, right down to the very Platonic and Aristotelian logic that the Gestalt has been drilling into your heads from the first breath you take when you slither from your mother’s gaping cervix, is distorted by the Gestalt Field, the displaced, churned, distorted, chaotic and tormented storm of ideologies created by the development of society over the millennia of human existence, displaced by the same methodology as Einstein’s theory of relativity or a ship at sea, is a cyclical, self-destructive byproduct of societal advancement. Every society in history, from the Mayans, to the Romans, to the Soviet Union and the United States, creates its own Gestalt Field, directly proportionate to the weight the society occupies on the global stage. As the society grows, so does the Gestalt Field around it, until the society begins to corrode from prolonged exposure to the ideology that created it, much analogous to the way a ship will rust and rot away in water, even though ships are built for open sea. This eventual corrosion is what the layman would call death and me likewise. Death is nothing supernatural. There is no holy paradise for the good, and dark, hellish underworld for the evil. ‘Good’ and ‘evil’ are points of view, there is no set definition. The same goes with ‘right’ and ‘wrong.’ That is the Gestalt. The Gestalt is society and all the contagion that develops around it, the distortions of truth and space, time and lies, science and metaphysics. There is no God, there is no Devil, there is only Man, and Man, if you haven’t realized already, is capable of far more evil and judgment than any God or Devil, and it happens on a regular basis. Society rots from a plague that will never truly be cured; society seeks salvation when it will never be saved from itself. It is this never-ending Universal Cycle of Existence, a cycle of birth, suffering, death, and the temporary happiness and liberation that result, and repeating the process ad infinitum until the human extinction eventually, inevitably comes, that defines the human race. Humanity is destroyed by the very forces that create it; hence the symbol of my Order, a dragon consuming its own tail, circling the sun. That is life, simple, yet complicated. That other force, love, so everlasting, yet so temporary, has often been described as like magic, but, like any true magic, it is just as often simply an illusion of desire, and the root of that is suffering, the desire to find some kernel of happiness in this horrid, decrepit world before the calm of leaden, everlasting sleep. Love may feel as if it lasts forever, but in reality, when the brain is distorted by the Gestalt Field, time and lies become synonymous. Love feels longer and more meaningful that it actually is when reality sets in; it hurts more than anything else, so love is not an exception to suffering, and it is the epitome of human suffering and misery. There is no love; there is only malice and hate. Human beings cannot love; they cannot feel compassion or care for anyone, because of the Gestalt. The reason love cannot stand is that the foundation of which it stands consists of pillars of sand: trust. Trust is so easy to build, yet is also so easy to destroy. One day you can be best friends with someone, and the next day, you can find out that your best friend was a murderer, and you were on his or her next hit list…a fickle species, humanity is, that is why a dog or cat is more trustworthy than a person. Human beings lie, they cheat, they steal and they have no redeeming qualities. Even the kindest person could commit a triple homicide if they were convinced enough of the benefits of doing so. The truth is kindness is not a human trait. It is the superego, the Freudian depiction of societal conditioning versus the id and the ego that is created by the Gestalt Field. Kindness is a perspective, an ideal that the Gestalt uses to keep its constituent parts together, like a machine, and like any machine, the Gestalt only functions if all of its parts are working the way they should. Thus, the final property, truth, is the most difficult to find. The powers that be, namely the mass media, are so powerful that no government on Earth has any power over them; even the unfortunately deceased Attorney General stated that these companies are breaking laws, but are so powerful and so rich that to prosecute them would be economic suicide. The truth is that there is no ‘truth’ anymore. ‘Truth’ consists of whatever the multinational ultra-rich mega-conglomerates proclaim to be true, and in the words of a certain Serb nationalist and political scientist, have turned the West into an inverted totalitarian state, a form of illiberal democracy where the 0.01% control everyone else, even the elected officials are puppets. The Republican and Democratic Parties are both the right and left arm of the Gestalt, and the corporations, mass-media; popular culture, celebrities, Hollywood, social-injustice engine is the head, brain, eyes, ears, nose and mouth of this horrid entity. The legs, the ones that prop the system up and unknowingly support this murder machine, are people like you. The 99.9%, the doctors, farmers, workers, clerks, chefs, anything that is not one of the 0.01% of society is immobilized, with no way of escaping the Gestalt corpse. You don’t have to be. I am the virus, the pox that infects the Gestalt’s body and amplifies within its cells, its police and bureaucracy, the minds of its concentration camps and indoctrination centers that pass as schools, and eventually place the Gestalt at a day of reckoning. Either it wakes up and sees the magnitude of its crimes, or it faces the wrath of those it oppresses for so long. Stand by me and reject your own government and you will achieve a power greater than any University degree or Gestalt-imposed merit badge could ever grant you, one that would assure you a place in my new Empire, the Paganblut-Hexe Imperium. There is no God. There is no Devil. There is only Man, and I am His bane. Good day to you all, Carpe Diem.”

This one speech, vague and twisted, shows the extent of verbal insanity, which is an offshoot of the larger issue of intellectual insanity. The fifth domain of insanity, sadistic insanity, is the most pronounced in Toni. She takes great, almost orgasmic pleasure in other people’s pain, reveling in semi-masturbatory bliss of other’s screams and spilled blood and gore. Most of the torture methods she uses on her victims are indicative of extreme sadism, such as:

Straightforward forced sex, nice and easy, I would recommend drugging the victim with date-rape drugs first. (Not very creative…)

2. Lock victim in a cage and place spikes around his or her genitalia. They have to let you violate them to remove them, lest they impale themselves on the iron blades in the pubic area. (Original idea by author)

3. Slice their lips off with a blunt knife and sew them to the genitalia, as to make it look like “art,” this is only doable to someone who dresses in very revealing outfits, they let their sexuality do the talking, so why not make them look the part? (Original idea by author)

4. S&M fetish rape with actual medieval torture instruments, this is one of the Aryan Terrorism Klan’s favorite terror tactics, as well as a bizarre method of sick satisfaction used by the Grand Master. (Fuck Nigger Blood…) (Original Idea by Author)

5. Human meat shredder barrel, roll the naked victim down a slope in a barrel full of razor sharp spikes after violating them 88 times, 88=HH=Heil Hitler (Original Idea by Author)

6. Human puppet master, the victim is injected with a CPU microchip that turn them into a puppet, forcing them to rip themselves apart with a meat cleaver or chainsaw, after a ceremonial series of rapes in a cult ritual, surrounded by candles and swastika posters in a basement. (Original Idea by Author)

7. Suffocating a woman or man by gagging them to death with a gigantic plastic dildo is sometimes preferable to bloodshed rape-torture. (Original Idea by Author)

8. Hot candle-wax cocoon, where the victim is naked, still alive and baked in a cocoon of hot candle wax alive like a toaster pastry. (Original Idea by Author)

9. Rotary Rape, the victim is placed on a spinning wheel, and willing volunteers take turns raping the victim until she bleeds to death. (Original Idea by Author)

10. BTK rape, Bind, Torture, Rape, Kill. (Frowned upon because of lack of creativity. Will not earn many prestige points and rank may not increase as quickly as one would like.)

11. Shark-skin genitalia cover: This device looks like a condom and functions as one, but has an entire interior lining made of shark denticles, which hold the skin in place like 10,000 tiny fishhooks. The victim must perform self-castration to remove the device. (Original idea by author)

12. Extreme psychological distress and ironic, bizarre humiliation: such as having a group of gay prisoners engage in forced sex with another heterosexual Christian homophobe prisoner, only to kill all of them at the end of the act and pickle their body parts, and preserve their blood as wine by adding an oxidizer chemical that allows it to ferment. (Original idea by author)

13. Using a homemade sickle-claw finger-glove that fits over her index finger, the Grand Master punctures the jugular vein of her victims to sample their blood and body fluids. (Creepy, but has been done a few times before in history)

14. Using a machine that simulates labor pains in childbirth, the leaders use this to torture men with nearly 15 times the pain of actual labor, however. (Original idea by author)

15. Cooking a pregnant woman by burning her at the stake with a late-term baby, only to bake the woman like a fresh-caught pig and then cutting her womb open, and removing the perfectly-cooked fetus to be eaten by Countess Toni during her ancient Mithras sorcery spells; Toni abducted a North African immigrant mother, 9 months pregnant, and impaled her on a spit, slowly roasting her over a fire like a rotisserie cooker while she slowly died, her womb acted as a natural oven for the baby, cooked to a golden-brown perfection.

16. Nymphomania, but in a very sadistic, pain-inducing way. For example, she’ll take a heavy sledgehammer to a victim’s penis and masturbate the mangled, crushed genitalia until it ejaculates blood and semen in her face, which she enjoys like a warm, summer rain. She also engages in self-pleasuring behaviors that include shoving a crucifix from a Southern, Bible-Belt American church into her clitoris like a vibrator and breaking it in half with her own hands, just to show how much she despises traditional, conservative, American Christianity as well as to satiate her own “sexual interpretation” of Mithraism and blood sorcery, she gloats about how she “fucked Jesus so hard it broke his cock in half” after this episode.

17. Extreme hatred of “backward religion,” namely Christianity. She targets American and European Christians with a horrific ferocity, burning churches, defacing Christian symbolism and Nativity scenes on Christmas, and saving her worst torments for people like American “televangelists,” pro-lifers, creationists, whom she calls “Holocaust-deniers,” because denying something like evolution is akin to denying the Holocaust; the evidence saying that it does exist is so overwhelming that the Christians who deny it are “invalid lunatics without excuse;” and anyone who calls themselves “born-again.”

These 16 extreme sadistic behaviors, often combined with near-masochist tendencies, she sometimes likes to feel pain as well, are indicative of all serial killers, but the most extreme killers are usually sadistic to match. This individual, however, is beyond any and every line imaginable. She takes a nuclear-powered bulldozer to sanity and the very mention of her name is enough to give people the chills.

The sixth domain of insanity, insanity in dress, is very much a factor here as well. Toni is often seen in the most bizarre and symbolically-weird dresses imaginable, one is pink and red with hearts on it and a silky, lace, pink veil and scarf over it, as well as a gigantic, pink, fuzzy hat, one outfit is a long black dress with black high-heeled boots, black lacy dress gloves with a black and white fur coat over the whole thing and a white, fur Caucasian Cossack hat with a metal spike on top of it, like that of a German pickelhaube helmet, another is a seductive, black, strapless ballroom dress with red carnations around her waist, another being a burgundy and red 16th-century Eastern European gown and headdress, and another outfit that looks somewhat like a Ming Chinese Empress’ outfit, with a ton of eye makeup and lipstick for each outfit as well, and quite often, that makeup is made from congealed human blood or body fluids.

Finally, the seventh domain of insanity, religious insanity, is very much present as well. Her “religion,” if you can call it that, is a twisted form of European-Vedic-Indo-Aryan paganism that tries to pass itself off as Christianity, which is symbolized by the dragon consuming its own tail, and the Mithras wheel, society is so flawed that each one eventually destroys itself, and only a higher force which she calls “Gestalt,” can keep it in order, however, this force is what also destroys society by the very fact that it exists…in her mantra, it is said that there is no God, there is no Devil, there is only Mankind…and she is His bane…as the storm grows in Europe, Toni has used her position as the Supreme Praetor, the absolute authority on law enforcement in the Mithras Order, to protect Mithras sages everywhere, but she approaches this protection with the philosophy that she keeps everyone safe, as long as nobody questions or challenges her for any reason. Her biggest rival is Wotankult Hird Emperor Gustavus Adolphus von Nordheim, who is the Emperor of the Scandinavian Wotankult Hird and is a polar opposite from Toni on how the Mithras Codex is interpreted, Toni focuses more on the sexual, pleasure-seeking aspect of the religion, given her personality and tendency to just enjoy every second of the A-list lifestyle that she’s lived in for 800 years, whereas Nordheim focuses more on the conservative, militaristic, racial interpretation of the Codex; Toni is extreme left, Nordheim is extreme right, to place it in political context. Much like the rivalry between Hitler and Stalin leading up to WWII, Toni stands as the de facto leader of the Leftist factions, and Nordheim stands as the unquestioned voice and authoritarian presence on the right-wing, or Volkisch factions. The majority of Mithras Sages reject the racial interpretations, but a strong portion of them see Nordheim and his ally, as well as Toni’s other rival Eisner von Richtofen of the Wewelsburg Hird’s message of a Mithras-dominated human race, and that Mithras Sages are naturally superior to non-initiated “invalid” humans, in Nordheim’s racial lexicon, as inspiring. Most of the traditional Mithras Sages, most notably the Slovak-Hungarian Bathory-Kozak Hird and the Romanian Draculesti-Branu Hird, led by Andreii Bathory-Groznyy and Alin Draculesti-Cesucescu, respectively, see Nordheim and Richtofen as rogues and their ideology as certain to bring a three-way war between Leftists, Volkisch, and normal, un-initiated human militaries, which would, even in the case of victory by Toni’s Leftist Coalition, spell the undoubted end of the success and grand culture that the Mithras Order had built in secret for thousands of years. There hadn’t been a need for Mithras Sages to get involved in any war or interaction with the non-Mithras world for more than 400 years, not since the 30 Years’ War, which ended in 1648, did any Mithras Sages fight in any typical human war. Even during the darkest hours of WWI and WWII, Mithras actions were minimal. The previous, full-scale mobilization of Mithras Sages for war was during the Crusades, when legendary Mithras Sage Vidiun Lusankara led his army to its final sacrifice at the Battle of Manzikert, in 1076. Vidiun’s entire Hird was killed in the battle, when Vidiun was forced to detonate a “nightmare bomb” underneath the main fortress to bring the aggressive Byzantine Empire to its knees. The bomb was triggered by implanting a telekinetic charge into a sleeping person’s brain, in this case the Byzantine Emperor, the detonation causes colossal destruction that quite often kills the Sage who planted it, because of the effort needed to maintain the charge, the caster usually dies of sheer exhaustion. It is seen as the equivalent of a kamikaze attack and is the most powerful attack that any Sage can perform, but it is usually their final act. Toni, however, is so powerful that she is only mildly fatigued by the attack. With her leading the Leftists, most Mithras Sages believe that Leftist victory is certain in the event of war, but everyone hopes that war is avoided.

 

 

 

 

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2 thoughts on “Character Profile: Countess Toni-Medici Fecchiera, from the “Eta Carinae: Reich of the Black Sun” universe

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