Countess: Nightly Obsessions EXPANDED UNIVERSE
RIECH OF BARONIA-FELIX
“Baronia-Felix is not a nation with an Army, but an Army with a nation…” Lord Governor of Nova Orden Colony Baron Heinrich Wassermann said of his Empire at the turn of the Third Millennium, A.D. This, of course, was a quote from a Prussian Imperial general more than 1200 years prior, but at this point, the message had just as much meaning as it did then. The Reich of Baronia-Felix was a revitalized Imperial State, whose development began in 2250, with a wave of nationalism in Europe that reversed the effects of the previous Age of Democracy, with the dissolution of many IGOs and the return of strong, centralized states in Europe, namely the Volga Sunset Party in Russia, led by an atheist, socialist radical named Oleg Molotov and his fiancée, a stunning, tall, blue-eyed blond-haired woman named Viktoria Betulova, and the Imperium Sanctum Party in Germany, which longed for the restoration of a German monarchy, where the territories of the old German Empire, Austrian Empire and Hungarian Kingdom were incorporated into a single Reich, ruled by a Kaiser and delegated by various counts, countesses and barons appointed by the Kaiser and born into the remnants of the old landed aristocracy, which still persisted at that point in Europe. By 2300 and the invention of Quantum Space travel, the most powerful nations on Earth had “warp” capability, allowing vessels to travel through space around the galaxy at will. Even though human beings were now exploring the deepest parts of space, aboard huge starships one-third the size of Manhattan, built for exploration as well as combat, problems still existed on Earth, namely the growing tension between the ISP and the VSP. The United Nations, which had begun, at long last, increasing its weight in international affairs because of expansion into space, sent two negotiators to the ISP headquarters in Berlin, where the new Reich’s outline was being drawn up; after a brief meeting with the diplomats, the ISP Chairman, none other than Rudolph von Richtofen, a descendent of the Red Baron, had the U.N. shuttle craft shot down upon takeoff, but blamed the attack on terrorists, citing a recent spike in far-right extremism in support of anti-immigration bills opposing the U.N., to stymie the flow of immigrants fleeing from climate change and deplorable conditions in the “third world.” In reality, the missile that shot the diplomats down was fired by one of the 11 Dragon Ladies, led by Countess Erzevet Waldheim, an Austro-Hungarian woman of 24 years old and her 10 disciples, all of similar age. They were, in one word, insane. Waldheim was not content with Richtofen’s vision of Europe and repeatedly stated that she wanted a complete, pan-European empire on the scale of Rome, but Richtofen could not see beyond the Germanic/Magyar lands of Austria, Germany and Hungary-Slovakia. Waldheim, despite her elegance and beauty; she was 6 feet, 5 inches tall, wore stunning outfits and had long, silky black hair, pale, alabaster skin and haunting blue eyes, was one of the most feared individuals in Europe. Most people who knew about her were in conclusion that she was very “gifted,” to say the least, she knew things that no living person could possibly know, such as exactly how many cabbages were stolen from gardens in Berlin in 1754 A.D, and doctors who measured her brainwave scans found that her REM sleep activity was near 180,000 units, while her active function was close to 120,000 units. Leonardo Da Vinci’s activity was only at 765 units, and a level of 400 units was considered “genius.” Even in the year 3000 A.D., doctors were still clueless as to how Waldheim wasn’t killed by her own brain function levels or even managed to communicate and think in ways that typical human beings could even remotely comprehend. Unfortunately for those who had to deal with her, she appeared to have a severe form of psychosis that caused her to fit every level of insanity imaginable, artistic insanity, because her 3-story, 25,000-square foot penthouse apartment in Bratislava, Slovakia, was decorated with her own original bizarre, abstract, surrealist art that looked like what would result from Salvador Dali or Freda Kahlo taking a hit of acid and trying to mix a Picasso painting and one of their works together while high. They had a common theme, either depicting a form of macabre liberation, a bittersweet message about the brevity and fleetingness of life or some sort of tormented scene, such as the picture of two murdered lovers lying on the streets of a city with a crowd of faceless people walking past, each with their shadows standing above their bloodied corpses, with the woman’s shadow in a contorted yet seemingly liberated, but disturbingly unnatural pose, and the young man’s shadow cruelly rejecting the tormented shadow’s pleas for acceptance; the blood on their bodies was arranged into words written in Slovak: “Where is my love? Where is my hope? Where is my reason to live?!” Another painting showed a little girl clenching her face in her hands while riding a lonely swing set in the middle of an abandoned city, with a shadowy stranger standing behind her, another showed a young man walking along railroad tracks in autumn, surrounded by the reds, browns, oranges and yellows of the countless autumn leaves falling around him, he walks alone, not knowing where he is headed, symbolizing that the only certainties in life are death, loneliness and uncertainty, therefore, life is completely meaningless, you’re going to die anyway, so what does it matter? Like the autumn leaves that blanket the tracks, people are shining bright one day, and decrepit and old the next…Life is a beautiful lie, death is an ugly truth. One other painting shows a screaming young woman with scars on her bare legs reading a book, but the words on the book fall off the pages like a shower of black ashes, and these ashes transform into spiders, which crawl up her legs in their thousands. Also, pictures of a woman carving an image of birds flying out of a cage onto her arms with a knife, as well as some pictures that had no meaning at all, such as headless chicken being chased by a tailless rat, as well as some original Picasso, Kahlo and Dali paintings, as well as a collection of weapons, specifically ones that were used to torture and kill children throughout history, old dictatorial flags, statues of sinister, robed figures and a gigantic Slovak cross rug and Order of the Dragon coat of arms on the wall, plus the lighting in the house that made the place appear as if it were in perpetual dusk, would only appeal to someone who is completely insane. She was also intellectually insane, given that her IQ and brain function levels are so high, that a lot of her psychotic actions may seem abrupt and without any rhyme or reason, much like someone with schizophrenia, but some doctors who studied her case suggested that due to brainwave scans and flash-cloning samples, the very height of her IQ scores make her appear to the layman as insane, simply because the rest of the world is too simple, judgmental and narrow-minded to understand just how fast and how advanced her brain is. She is only “crazy” because of society’s judgmental stupidity and the filthy, pop-culture Fascist dregs such as the rich girls living in places like Miami and New York City trying to set an unrealistic standard for “prosperity” and “beauty.” She uses her intellect and her own fortune to directly oppose that culture through the power of science and intellectual pursuits, as well as incorporating her obsession with macabre, distorted art into her scientific pursuits as well; she’d pay people in Europe to kidnap young, rich women travelling abroad and kill them, and bring their corpses back to the ISP headquarters for experimentation. Waldheim had a bizarre fascination with blood, namely for the DNA and sampling properties of it, but also in a much more metaphysical sense. One of her greatest projects includes being able to cheat death by using computers, in the year 3000, this is possible, but illegal under most circumstances, Waldheim creates backups of her mind on computer disks, so that upon her death, she will simply be “reborn” in an AI hologram body, with her mind and personality as a digitized set of data, but also uses bizarre ways of justifying her acts on an intellectual level, such as using mathematical puzzles to fool police forces, and using math to lead detectives to conclusions that will inevitably get them killed, just because Waldheim thinks that it’s a joke. The third domain of insanity, humorous insanity, is represented here. Many of Waldheim’s attacks on people in Europe are so twisted and sinister because she sees it as a joke, a gigantic game where she and the police are opponents trying to outplay each other, not enemies, and this type of crime is nothing but a game, a trick, and a joke in “good fun;” the drive behind this mentality is the horrific torment Erzevet Waldheim suffered as a little girl, with her abusive oligarch father in Eastern Europe selling her into prostitution as a teenager to cover a bad deal as collateral, not to mention beating her and locking her in a dark, dank closet full of weapons at age 6 for 3 days. She later escaped from slavery and brutally slaughtered her abusive masters, as well as her horrendous father and mother, who lived in an insane asylum. Since her escape, she has committed crimes ranging from killing people and turning their bodies into marionettes, using them as a puppet show, torturing and cannibalizing little girls and young women, turning their blood into wine and using her huge master bathroom on the third floor of her apartment as a makeshift torture chamber, holding fake T.V. show competitions just to kill the contestants one by one, the “prize,” for the winner is that they are allowed to go free, only to have Erzevet kill them anyway because she was “just kidding, as usual.” The fourth domain of insanity, verbal insanity, is also very much apparent here, every single word that comes out of her mouth seems to have some kind of dual meaning to it, in one particular speech to the citizens of Times Square in August of 3000 A.D:
“So simple, yet so complicated, so everlasting, yet so fragile, so easily broken, but so easily built, and so easy to speak, yet so easy to misrepresent…anyone who has lived on this planet, young or old, whether they know it or not, is aware, however subconsciously, of the four properties of which I speak. The first of which, life, in the Earthly definition, consists of amino acids, deoxyribonucleic acid and counts the cell as its basic unit of organization. Therefore, in the purest, biological sense, life is a simple affair, as soon as an organism is born, it is alone, it is small, it is feeble, unless it can adapt, it will die out. Darwin’s theorem of evolution, the first word “theorem” intentionally changed to state that Darwinian logic is proven, it is only because the individuals who are told by the Gestalt that their outdated traditional Christian dogmas are the only, absolute truth. Life is simple, yes, but it is not that simple. What if I were to tell you people that everything you know is wrong? Everything, right down to the very Platonic and Aristotelian logic that the Gestalt has been drilling into your heads from the first breath you take when you slither from your mother’s gaping cervix, is distorted by the Gestalt Field, the displaced, churned, distorted, chaotic and tormented storm of ideologies created by the development of society over the millennia of human existence, displaced by the same methodology as Einstein’s theory of relativity or a ship at sea, is a cyclical, self-destructive byproduct of societal advancement. Every society in history, from the Mayans, to the Romans, to the Soviet Union and the United States, creates its own Gestalt Field, directly proportionate to the weight the society occupies on the global stage. As the society grows, so does the Gestalt Field around it, until the society begins to corrode from prolonged exposure to the ideology that created it, much analogous to the way a ship will rust and rot away in water, even though ships are built for open sea. This eventual corrosion is what the layman would call death and me likewise. Death is nothing supernatural. There is no holy paradise for the good, and dark, hellish underworld for the evil. ‘Good’ and ‘evil’ are points of view, there is no set definition. The same goes with ‘right’ and ‘wrong.’ That is the Gestalt. The Gestalt is society and all the contagion that develops around it, the distortions of truth and space, time and lies, science and metaphysics. There is no God, there is no Devil, there is only Man, and Man, if you haven’t realized already, is capable of far more evil and judgment than any God or Devil, and it happens on a regular basis. Society rots from a plague that will never truly be cured; society seeks salvation when it will never be saved from itself. It is this never-ending Universal Cycle of Existence, a cycle of birth, suffering, death, and the temporary happiness and liberation that result, and repeating the process ad infinitum until the human extinction eventually, inevitably comes, that defines the human race. Humanity is destroyed by the very forces that create it; hence the symbol of my Order, a dragon consuming its own tail. That is life, simple, yet complicated. That other force, love, so everlasting, yet so temporary, has often been described as like magic, but, like any true magic, it is just as often simply an illusion of desire, and the root of that is suffering, the desire to find some kernel of happiness in this horrid, decrepit world before the calm of leaden, everlasting sleep. Love may feel as if it lasts forever, but in reality, when the brain is distorted by the Gestalt Field, time and lies become synonymous. Love feels longer and more meaningful that it actually is when reality sets in; it hurts more than anything else, so love is not an exception to suffering, and it is the epitome of human suffering and misery. There is no love; there is only malice and hate. Human beings cannot love; they cannot feel compassion or care for anyone, because of the Gestalt. The reason love cannot stand is that the foundation of which it stands consists of pillars of sand: trust. Trust is so easy to build, yet is also so easy to destroy. One day you can be best friends with someone, and the next day, you can find out that your best friend was a murderer, and you were on his or her next hit list…a fickle species, humanity is, that is why a dog or cat is more trustworthy than a person. Human beings lie, they cheat, they steal and they have no redeeming qualities. Even the kindest person could commit a triple homicide if they were convinced enough of the benefits of doing so. The truth is kindness is not a human trait. It is the superego, the Freudian depiction of societal conditioning versus the id and the ego that is created by the Gestalt Field. Kindness is a perspective, an ideal that the Gestalt uses to keep its constituent parts together, like a machine, and like any machine, the Gestalt only functions if all of its parts are working the way they should. Thus, the final property, truth, is the most difficult to find. The powers that be, namely the mass media, are so powerful that no government on Earth has any power over them; even the unfortunately deceased Attorney General stated that these companies are breaking laws, but are so powerful and so rich that to prosecute them would be economic suicide. The truth is that there is no ‘truth’ anymore. ‘Truth’ consists of whatever the multinational ultra-rich mega-conglomerates proclaim to be true, and in the words of a certain Serb nationalist and political scientist, have turned the West into an inverted totalitarian state, a form of illiberal democracy where the 0.01% control everyone else, even the elected officials are puppets. The Republican and Democratic Parties are both the right and left arm of the Gestalt, and the corporations, mass-media; popular culture, celebrities, Hollywood, social-injustice engine is the head, brain, eyes, ears, nose and mouth of this horrid entity. The legs, the ones that prop the system up and unknowingly support this murder machine, are people like you. The 99.9%, the doctors, farmers, workers, clerks, chefs, anything that is not one of the 0.01% of society is immobilized, with no way of escaping the Gestalt corpse. You don’t have to be. I am the virus, the pox that infects the Gestalt’s body and amplifies within its cells, its police and bureaucracy, the minds of its concentration camps and indoctrination centers that pass as schools, and eventually place the Gestalt at a day of reckoning. Either it wakes up and sees the magnitude of its crimes, or it faces the wrath of those it oppresses for so long. Stand by me and reject your own government and you will achieve a power greater than any University degree or Gestalt-imposed merit badge could ever grant you, one that would assure you a place in my new Empire, the Paganblut-Hexe Imperium. There is no God. There is no Devil. There is only Man, and I am His bane. Good day to you all, Carpe Diem.”
This one speech, vague and twisted, shows the extent of verbal insanity, which is an offshoot of the larger issue of intellectual insanity. The fifth domain of insanity, sadistic insanity, is the most pronounced in Waldheim. She takes great, almost orgasmic pleasure in other people’s pain, reveling in semi-masturbatory bliss of other’s screams and spilled blood and gore. Most of the torture methods she uses on her victims are indicative of extreme sadism, such as:
Straightforward forced sex, nice and easy, I would recommend drugging the victim with date-rape drugs first. (Not very creative…)
2. Lock victim in a cage and place spikes around his or her genitalia. They have to let you violate them to remove them, lest they impale themselves on the iron blades in the pubic area. (Original idea by author)
3. Slice their lips off with a blunt knife and sew them to the genitalia, as to make it look like “art,” this is only doable to someone who dresses in very revealing outfits, they let their sexuality do the talking, so why not make them look the part? (Original idea by author)
4. S&M fetish rape with actual medieval torture instruments, this is one of the Aryan Terrorism Klan’s favorite terror tactics, as well as a bizarre method of sick satisfaction used by the Grand Master. (Fuck Nigger Blood…) (Original Idea by Author)
5. Human meat shredder barrel, roll the naked victim down a slope in a barrel full of razor sharp spikes after violating them 88 times, 88=HH=Heil Hitler (Original Idea by Author)
6. Human puppet master, the victim is injected with a CPU microchip that turn them into a puppet, forcing them to rip themselves apart with a meat cleaver or chainsaw, after a ceremonial series of rapes in a cult ritual, surrounded by candles and swastika posters in a basement. (Original Idea by Author)
7. Suffocating a woman or man by gagging them to death with a gigantic plastic dildo is sometimes preferable to bloodshed rape-torture. (Original Idea by Author)
8. Hot candle-wax cocoon, where the victim is naked, still alive and baked in a cocoon of hot candle wax alive like a toaster pastry. (Original Idea by Author)
9. Rotary Rape, the victim is placed on a spinning wheel, and willing volunteers take turns raping the victim until she bleeds to death. (Original Idea by Author)
10. BTK rape, Bind, Torture, Rape, Kill. (Frowned upon because of lack of creativity. Will not earn many prestige points and rank may not increase as quickly as one would like.)
11. Shark-skin genitalia cover: This device looks like a condom and functions as one, but has an entire interior lining made of shark denticles, which hold the skin in place like 10,000 tiny fishhooks. The victim must perform self-castration to remove the device. (Original idea by author)
12. Extreme psychological distress and ironic, bizarre humiliation: such as having a group of gay prisoners engage in forced sex with another heterosexual Christian homophobe prisoner, only to kill all of them at the end of the act and pickle their body parts, and preserve their blood as wine by adding an oxidizer chemical that allows it to ferment. (Original idea by author)
13. Using a homemade sickle-claw finger-glove that fits over her index finger, the Grand Master punctures the jugular vein of her victims to sample their blood and body fluids. (Creepy, but has been done a few times before in history)
14. Using a machine that simulates labor pains in childbirth, the leaders use this to torture men with nearly 15 times the pain of actual labor, however. (Original idea by author)
15. Cooking a pregnant woman by burning her at the stake with a late-term baby, only to bake the woman like a fresh-caught pig and then cutting her womb open, and removing the perfectly-cooked fetus to be eaten by Countess Waldheim.
These 15 extreme sadistic behaviors, often combined with near-masochist tendencies, she sometimes likes to feel pain as well, are indicative of all serial killers, but the most extreme killers are usually sadistic to match.
The sixth domain of insanity, insanity in dress, is very much a factor here as well. Waldheim is often seen in the most bizarre and symbolically-weird dresses imaginable, one is pink and red with hearts on it and a silky, lace, pink veil and scarf over it, as well as a gigantic, pink, fuzzy hat, one outfit is a long black dress with black high-heeled boots, black lacy dress gloves with a black and white fur coat over the whole thing and a white, fur Caucasian Cossack hat with a metal spike on top of it, like that of a German pickelhaube helmet, another is a seductive, black, strapless ballroom dress with red carnations around her waist, another being a burgundy and red 16th-century Eastern European gown and headdress, and another outfit that looks somewhat like a Ming Chinese Empress’ outfit, with a ton of eye makeup and lipstick for each outfit as well, and quite often, that makeup is made from congealed human blood or body fluids.
Finally, the seventh domain of insanity, religious insanity, is very much present as well. Her “religion,” if you can call it that, is a twisted form of Slavic paganism that tries to pass itself off as Christianity, which is symbolized by the dragon consuming its own tail, society is so flawed that each one eventually destroys itself, and only a higher force which she calls “Gestalt,” can keep it in order, however, this force is what also destroys society by the very fact that it exists…in her mantra, it is said that there is no God, there is no Devil, there is only Mankind…and she is His bane…
Countess Waldheim is not alone in her pursuit of a new Roman Empire, the Paganblut-Hexe Imperium in Europe, she has 10 other young women as disciples that are almost as psychotic as she is…almost. One woman uses a Lammergeyer axe and has a distinct hatred of bicycle horns, Magda “The Butcher,” as she is known, is sadistically demented to the nth degree and so aggressive that she is sometimes seen as not fully human, she kills people and skins them to make masks from their faces, which she tans like leather hides. The Lammergeyer axe is a double-bladed, weighted, meat-cleaver like weapon which, when swung hard enough, will rip a human body to shreds in the most gruesome way possible. Another Dragon Lady, Agatha the Haunting, is spooky, sinister and shadowy, and always explains her ideology before she commits a hideous crime, as seen is two particular speeches she gives:
“I find it quite disturbing that the world has become such a watered-down cesspool of idiocy. What had happened, however, is undeniable and quite astonishing. The Gestalt, the embodiment of all foul things that ooze from the pores of society, shows the true nature and extent of this necrosis on the flesh of humanity’s soul. I am Countess Agatha, one of the Ten Dragon Countesses and one of the Ten Viceroys for Supreme Countess Waldheim of the Slavonic Order of the Dragon, and so let it be. Just because one person knows does not change the fact of my identity. It’s like a little child, having taken a cookie from the cookie jar without its mother’s permission, denying that it willingly and knowingly devoured the cookie despite having the crumbs and chocolate smeared all over its face. Words are not magic. People deny our existence simply because they fear us on such a deep, horrifically primal level that they pretend we don’t exist. Deep down, they know…don’t they. It is the classic straw-man fallacy, one used to deny something’s existence even if the denier knows it to be true, simply because they can’t comprehend the truth. The truth that I and my 10 other co-rulers have access to is so complicated as to be almost incomprehensible, but so simplistic at the same time that it is startling obvious. This truth is that humans, despite their apparent genius, no matter how high their IQs are, are ignorant. They only know what they like to know, even if they are taught ideologies that they do not like, people have a way of blocking out what they don’t want to hear. A man like Stephen Hawking or Albert Einstein is similar to an impaired individual with a severe learning disability in almost every way. They seek knowledge, they have the same biological functions and they all have a goal, however complicated the genius’ is vis-à-vis the simpleton’s. The only reason we see geniuses as superior to retarded people is because society in general caters to reward intelligence while punishing stupidity, but then again, I ask of you, define ‘stupid.’ What one person sees as ‘smart,’ others may see as “stupid,” and vice-versa. Again, this is only because society molds its people into an ideal. All of this evidence points directly at one, utterly damning conclusion. Society itself, namely popular culture and celebrities in particular, are agents of injustice, intolerance and oppression. People like the athletes, sororities and fraternities, the cast of reality T.V. shows and Hollywood screen gods and goddesses have more power than they should have in any society. They don’t produce. They serve no practical role. They are the agents of the Gestalt. And, they have no place in our coming Great Ilex Saga. There will soon be 50 years of warfare on an unprecedented scale, followed by the culmination of our struggle, the journey that began 1650 years ago in Slovakia, will culminate in the deaths of the celebrities via ritual murder and armed revolutions against Hollywood and popular culture figures, the massacre of the bankers, and the melding of human society into one, cohesive machine with all 11 of us as the supreme rulers of this planet, and eventually, the galaxy. Oceans will rise. Mountains will crumble. Cities will fall. Heaven, Earth and Hell themselves will bow before us. Where will you be? We walked in line, indeed…”
“Yes, it is what Draconic Christians like me call the essence of evil in society, that possess us all and make us cold, hateful, hollow-souled individuals that worship death and take poison as readily as Socrates took the hemlock of his bane. Society does not forgive, nor does it forget, and if any mistakes are made, the history is recorded for all to see ad infinitum. Not only is history damning to those that are part of it, history is distorted by its chroniclers as they see fit all too often, so the point is that what you see is not always true. Just because I am one of the 11 Dragons of the Slavonic Order of St. George doesn’t make me evil, I am seen as such by my organization’s rival, the Illuminati Empire, and those who defeated my original covenant that formed in the Carpathian Mountains under Emperor Sigismund, all those years ago…We are not evil. We are just seen as evil because society is too narrow-minded, dogmatic, and bureaucratic and values its conformist ideology to the point where democracy becomes a form of “inverted Fascism.” Popular culture figures become some powerful that they are the informal dictators, subliminally instructing and behaviorally conditioning people into thinking that they have to see a certain, set appearance in a person to see them as “normal.” Just like Pavlov’s drooling hounds, humans are conditioned by celebrity behavior, and upon their drooling for more societal benefits, they are awarded a steak in the form of government handouts from the officials they elect, based on their celebrity, Hollywood-proxy pseudo-Fascism that permeates Western culture like a pox. That is the Gestalt. The Gestalt is the storm of lies used to disguise society’s true aim and purpose; not to serve and protect, but to control and enforce order and their twisted, bent ideas of “peace,” “celebrity status,” and “order.” The Gestalt is the shield that the Beast, society itself, uses to protect itself. One cannot exist without the other, and when one ceases to exist, the other will also vanish. A lie does not tell itself, and a society cannot protect itself from its own shortcomings if its people are not deceived by the shield of lies. It is a never-ending cycle, the ultimate catch-22, and the true, core reason that Western society is the way it is…the rich Hollywood movie stars, and the military, financial and politically-connected power-elite elected by the citizens to represent them, often influenced by their favorite celebrities. The celebrities are the American and European Gestalt Form, and we, the Order of the Dragon, have refused to be deceived by the Gestalt any longer. When we resist, the Gestalt crumbles, and leaves the heart of society completely unprotected for the slashing blades of the sickle-sword, representing the people. I am Agatha the Haunting, the European Countess of the Order of the Dragon and one of the 11 Dragons of the Order…it is up to you…either see my teachings as they are and accept my offer of salvation, or meet the fate of those who don’t see my purpose or reasoning. The only enemies that the society has are Hollywood celebrities and their families, using their financial and social status to impose an informal, insidious culture of pop-culture Fascism and corrupting the minds of Western youth with disgusting ideologies of conformity and the threat of social ostracism if they do not conform to popularity, and the military, political and financially-connected power elite all serve the interests of the people that the celebrities influence via their inverted Fascist methodology. In this system, democracy cannot function without contradicting itself, that being said, by the laws of reason, the system begs the question as a form of circular logic, and therefore should be rejected by any truly intelligent person. The Order of the Dragon provides that alternative. I am Dragon Countess Agatha the Haunting. The Illuminati are the secret arm of the Gestalt. They must be killed, at all costs. Do you understand what I have just told you?” “But…what of the ones I care about, there has to be a way to include them…” “Yes or no will do!” Agatha snapped. “Yes…Yes I do…” “Good. Now, it is time to go. You cannot remain here, now that you know the truth. You need to come with us, you will be instructed on how to defend the souls of all who follow us, by one of Supreme Countess Waldheim’s chief enforcers…his name is Latos, I do believe, he may be somewhat frightening to look at, but you will see him as a leader in time. After all, nothing is a frightening as the Gestalt’s plan for the brainwashing of intellectualism.”
Mentions of “Illuminati” are common in her speeches and she also makes reference to Waldheim’s only childhood friend, a man named Latos Blagojevic, who cared for her during the abuse she endured in Russia as a girl and became her only close thing to a relationship or love interest…before he carved his face like a Jack O Lantern and bleached it white.